The “rite” way to copy old scores into new software

Stephen Taylor is here to talk all about his adventure entering the entire score of Stravinsky’s The Rite of Spring into Dorico. Steve is a professor of composition and theory at University of Illinois School of Music and co-director of its modern ensemble. He’s had a long and varied history composing music and studying scores, and an almost equally long history using music notation software — starting first with early versions of Finale and Sibelius before moving on to Dorico. Not only has he copied The Rite of Spring, but he’s done the same with other masterworks of Shostakovich, Schubert, Mahler, and other composers. He tells Philip Rothman and David MacDonald how copying scores into programs like Dorico can be an effective way of both learning the music and the notation technology. That’s what we’re all about on Scoring Notes, so the only sacrifice you’ll need to make is a little bit of your time to hear what Steve has to say.
More on Scoring Notes: Dorico and The Rite of Spring