46. Wayne Suggs: Chasing the Light vs. Previsualization, the Magic of Wide-Angle Lenses, and Love for the Desert Southwest
Wayne Suggs is an immensely talented landscape photographer hailing from Las Cruces, New Mexico. Wayne captures the beauty of the Southwest United States and shares his images not only for others to enjoy, but to help increase awareness of the necessity to preserve our precious surroundings. Wayne is a professional photography instructor with Muench Workshops and his hardcover photography book, The Color of Dreams, is an instant classic and expresses some of Wayne's best work in print.Topics Richard and Wayne discuss:The underrated beauty of the desertStrategies for exploring new photography locationsChasing the light versus previsualizationThe art and process of previsualizationComposition in the fieldWhat's more important? Composition or light?Falling in love with your photographyThe influences of David and Marc MuenchWorking with wide-angle lensesPost processing philosophyAnd much more.Notable Links:Wayne Suggs PhotographyWayne Suggs Photography on FacebookWayne Suggs Instagram Muench WorkshopsThis episode is brought to you by Lexar.For more than 25 years, Lexar has been trusted as a leading global brand of memory solutions so they know first-hand just how quickly content is transforming our world.Their award-winning lineup performs second-to-none and includes professional memory cards, card readers, and solid-state drives for creators of all skill levels.Whether shooting photos, capturing video, or transferring content on the go, Lexar provides the quality and performance you can rely on to get the shot with confidence.I’ve been using the Lexar Professional CFexpress Type B GOLD memory cards with my Canon mirrorless cameras for years and they deliver the blazing speed and durability for the extreme weather conditions I encounter anywhere in the world.To learn more about Lexar memory solutions, visit www.lexar.com.
46. Wayne Suggs: Chasing the Light vs. Previsualization, the Magic of Wide-Angle Lenses, and Love for the Desert Southwest