Identity Politics and Experimental Music with George E. Lewis
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What happens when classical music takes seriously the work of Black avant-garde composers? What would a creolized musical world look like? And what is the relationship between scholarship and composing? A conversation with George E. Lewis, Edwin H. Case Professor of American Music at Columbia University.Show notes and more over at soundexpertise.orgQuestions? Thoughts? Share them with Will on Twitter @seatedovation
Identity Politics and Experimental Music with George E. Lewis