Timbre in 1980s Pop Music: Part Two (with Dr. Megan Lavengood and Dr. Cara Stroud)

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In part two of my conversation with Dr. Megan Lavengood (George Mason University) and Dr. Cara Stroud (Michigan State University), we chat all about timbre, the role of "world music" instruments, and Megan's MTO article "The Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative." A special thanks for Cara and her class for their thoughts on Megan's piece and for making an appearance on this episode (in order of appearance: (Zephie Hillard, ShihPing Wang, Jessi Fegan, and Karla Evans).
Megan's article
The SMT Committee on the Status of Women writing groups
Get in touch with me at: hermusicacademia@gmail.com

Timbre in 1980s Pop Music: Part Two (with Dr. Megan Lavengood and Dr. Cara Stroud)

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Timbre in 1980s Pop Music: Part Two (with Dr. Megan Lavengood and Dr. Cara Stroud)
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