#067: Megan Davis — Writing Literary Thrillers & Crime Fiction, Dual Timelines, Bringing Conflict To The Page

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Award-winning and debut thriller writer Megan Davis on her book The Messenger, which was influenced by her experience as a whistleblower. We explore her use of dual timelines, conflict and essential elements of a psychological thriller.ABOUT MEGAN DAVISMegan Davis has worked in the film industry, and her credits include Atonement, In Bruges, Pride and Prejudice, and the Bourne films. Megan is also a lawyer at Spotlight on Corruption. Her debut, The Messenger, won the Bridport and Lucy Cavendish prizes. *FOLLOW MEGAN DAVIS:Megan’s TwitterMegan’s WebsiteOTHER LINKS MENTIONED:The 90-Day Novel: Unlock the Story Within by Alan Watts Life & Work by Tim ParksCormac McCarthy’s The Road*For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.comFor free writing sessions, join free Writers’ Hours: writershour.com *FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!
For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.comFor free writing sessions, join free Writers’ Hours: writershour.com *FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

#067: Megan Davis — Writing Literary Thrillers & Crime Fiction, Dual Timelines, Bringing Conflict To The Page

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#067: Megan Davis — Writing Literary Thrillers & Crime Fiction, Dual Timelines, Bringing Conflict To The Page
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