50. Serialismo

Técnica de composición musical basada en el dodecafonismo de Arnold Schönberg. Mientras este aplica un principio serial a las alturas de las doce notas de la escala cromática, el serialismo amplía la aplicación de este fundamento a diferentes parámetros musicales como ritmo, intensidad y timbre._____Has escuchadoAll Set for Jazz Ensemble (1957) / Milton Babbitt. The Contemporary Chamber Ensemble; Arthur Weisberg, director. Nonesuch (1974)Gruppen: für drei Orchester. Werk Nr. 6 (1955-1957) / Karlheinz Stockhausen. Berliner Philharmoniker; Claudio Abbado, director. Deutsche Grammophon (1996)Scambi (1957) / Henri Pousseur. Sub Rosa (2002)Structures pour deux pianos. Livre II (1961) / Pierre Boulez. Pierre-Laurent Aimard y Florent Boffard, pianos. Deutsche Grammophon (1995)_____Selección bibliográficaBANDUR, Markus, Aesthetics of Total Serialism: Contemporary Research from Music to Architecture. Birkhauser Verlag, 2001BAZAYEV, Inessa y Christopher Segall (eds.), Analytical Approaches to 20th-Century Russian Music: Tonality, Modernism, Serialism. Routledge, 2020BENITEZ, Vincent, “Reconsidering Messiaen as Serialist”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 267-299*GALLOPE, Michael, “Why Was This Music Desirable? On a Critical Explanation of the Avant-Garde”. The Journal of Musicology, vol. 31, n.º 2 (2014), pp. 199-230*GRANT, M. J., Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Cambridge University Press, 2008GULDBRANDSEN, Erling E., “Pierre Boulez in Interview, 1996 (II). Serialism Revisited”. Tempo, vol. 65, n.º 256 (2011), pp. 18-24*IDDON, Martin, The Cambridge Companion to Serialism. Cambridge University Press, 2023MCCARTHY, John y Joe Peter, Harmonic Grammar and Harmonic Serialism. Equinox Publishing, 2016MOORE, Allan F., “Serialism and Its Contradictions”. International Review of the Aesthetics and Sociology of Music, vol. 26, n.º 1 (1995), pp. 77-95*NEIDHÖFER, Christoph, “Inside Luciano Berio’s Serialism”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 301-348*PERLE, George, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern. University of California Press, 1991RAO, Nancy Yunwha, “Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music”. Perspectives of New Music, vol. 40, n.º 2 (2002), pp. 190-231*ROIG-FRANCOLÍ, Miguel A., Understanding Post-Tonal Music. Routledge, 2021SMALLEY, Roger, “Serialism for Today”. Tempo, n.º 90 (1969), pp. 2-7*SMITH BRINDLE, Reginald, Serial Composition. Oxford University Press, 1968VANDER WEG, John D., Serial Music and Serialism: A Research and Information Guide. Routledge, 2000WHITTALL, Arnold, Serialism. Cambridge University Press, 2008* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March