From the Keyboard to the Podium with Kristin Ditlow

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๐—›๐—ฎ๐˜ƒ๐—ฒ ๐˜†๐—ผ๐˜‚ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐˜„๐—ผ๐—ป๐—ฑ๐—ฒ๐—ฟ๐—ฒ๐—ฑ, ๐˜„๐—ต๐˜† ๐—ฎ ๐—ฐ๐—ผ๐—ป๐—ฑ๐˜‚๐—ฐ๐˜๐—ผ๐—ฟ ๐˜„๐—ฎ๐˜€ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐—ป๐—ฒ๐—ฒ๐—ฑ๐—ฒ๐—ฑ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ?The European tradition of a conductor's training comes from opera houses. In a theatrical setting, there are many elementsย  to juggle -- from staging to singing, from tech cues to the off-stage banda. It is helpful to have a coordinator to โ€œdirect traffic,โ€ and the main responsibility of all this became the role of the conductor.In today's episode, I chat with conductor Kristin Ditlow, who started her musical career as a vocal coach. She has played for many famous voice teachers, vocal studios, and numerous opera productions before she added conducting to the many hats that she wears.Kristin will share with us what she learned from being a vocal coach to arm-waving in front of the ensemble, and also her tips for any conductor just starting out and conducting or learning your first opera.ย All About Chaowen Ting

From the Keyboard to the Podium with Kristin Ditlow

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From the Keyboard to the Podium with Kristin Ditlow
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