From the beginning, Mark Kostabi pronounced his raison d'être as an artist widely: to take all the cash and all the glory. A superstar during the frantic glory of the 1980s New York art world, Kostabi has unapologetically signed and sold thousands of paintings made by painters/ laborers who attest to not having seen Kostabi paint for years. His practice reveals a shrewd critique of valuation in the modern art world, but when his purposeful skewering turned to ruthlessly biting the hands that fed him, he was rapidly jolted from the position of daring darling to the unspeakable persona non grata. This energetic, punk-fueled docu-comedy traces the meteoric rise and fall of a bizarre visionary and the art market that birthed him, but director Michael Sládek focuses mostly on present-day Kostabi and his obsession with getting back on top. Interviews with art world figures and vintage clips of Kostabi's outlandish television appearances are entertaining and insightful, but Con Artist's best moments come in the abundant tag-along footage Sládek shoots with the artist. While getting as close as one can to a man who's been called "the black hole of irony," Sládek also begs an interrogation into what American culture is based on, and what it takes to pop its bubble.

A captivating history of the nation’s oldest performing arts center, the Brooklyn Academy of Music, which mirrors the evolution of theater, dance and performing arts in 20th century America. Featuring footage of recent performances, intimate interviews, and an astonishing treasure trove of 150 years’ worth of archival materials, BAM150 is a testament to the power and stamina of the institution that established Brooklyn as a cultural mecca—serving as a home to such greats as Enrico Caruso, Sarah Bernhardt, Edwin Booth, Merce Cunningham, Robert Wilson, Mark Morris, Laurie Anderson and Pina Bausch.