Frankie follows a family gathered in the idyllic town of Sintra, Portugal, before the family matriarch faces the next, and last, chapter of her life.

When 13-year-old Jake’s (Theo Taplitz) grandfather dies, his family moves from Manhattan back into his father’s Brooklyn home. There, Jake befriends the charismatic Tony (Michael Barbieri), whose single, Chilean mother Leonor (Paulina Garcia) runs the dress shop downstairs. When Jake’s parents Brian (Greg Kinnear) and Kathy (Jennifer Ehle) ask Leonor to pay a higher rent — and a feud ignites between the adults — the boys take an oath of silence against their parents in protest. Directed by Ira Sachs (Love is Strange, Keep the Lights On, Forty Shades of Blue) with his trademark humanism and insight, Little Men is the story of a life defining friendship amid family turmoil, and one of the best reviewed American films in years.

After nearly four decades together, Ben (John Lithgow) and George (Alfred Molina) finally tie the knot. But when George loses his job, the couple must sell their apartment and temporarily live apart until they can find an affordable new home. George moves in with two friends (Cheyenne Jackson and Manny Perez) while Ben ends up across town with his nephew (Darren Burrows), his wife (Marisa Tomei) and their teenage son with whom Ben shares a bunk bed. While struggling with the pain of separation, Ben and George are further challenged by the intergenerational tensions and capricious family dynamics of their new living arrangements. Love Is Strange depicts the delicate nature of two people building a long life together and their love growing deeper and richer with time.

KEEP THE LIGHTS ON chronicles an emotional and sexually charged journey of love, friendship, and addiction. In New York City in 1998, documentary filmmaker Erik (Thure Lindhardt) and closeted lawyer Paul (Zachary Booth) meet through a casual encounter and soon find themselves embroiled in a deeper connection. Over a decade-long relationship defined by highs and lows, Erik struggles to negotiate his personal boundaries and dignity, while Paul battles the demons of drug dependence. Harrowing and romantic, visceral and profound, Ira Sachs’ fearlessly personal KEEP THE LIGHTS ON looks at love and all of its manifestations, from despair to grace.

A meek man falls for a beautiful, younger woman. His main obstacles are his good friend with an equally strong attraction to her and his controlling wife, whom he'd like to spare the agony of divorce by poisoning her.