Recently discovered and restored 46 years after its completion, George A. Romero's The Amusement Park stars MARTIN's Lincoln Maazel as an elderly man who finds himself disoriented and increasingly isolated as the pains, tragedies, and humiliations of aging in America are manifested through roller coasters and chaotic crowds. Commissioned by the Lutheran Society, the film is perhaps Romero’s wildest and most imaginative movie – an allegory about the nightmarish realities of growing older, and an alluring snapshot of the filmmaker’s early artistic capacity and style. The “lost” film was restored in 4K by IndieCollect in New York City.

While on location filming a horror movie, a group of college students find themselves overrun by zombies, and ultimately end up capturing the epidemic on film.

An emotional and introspective journey following five years in the life and career of an independent filmmaker, supported by dozens of interviews, posing one question: how does an indie filmmaker survive in the current film business? Featuring interviews with Guillermo Del Toro, Richard Stanley, Barbara Crampton, Paul Schrader, Tom Savini, George A. Romero, Gigi Saul Guerrero, Michael Biehn, Frank Henenlotter, and many more.

The members of a traveling Renaissance Faire, who saddle up on motorcycles instead of horses, ride from town to town to stage medieval jousting tournaments with combatants in suits of armor and wielding lances, battle-axes, maces and broadswords. The spectacle of this violent pageant soon garners national attention, much to the dismay of the current king of this Camelot. A challenger to his throne arises as they try to maintain their fairytale existence in a world wrought with corruption.

In this third film in the continuing saga of the undead from writer/director George A. Romero (Night of the Living Dead, Dawn of the Dead, Land of the Dead, Diary of the Dead, Survival of the Dead), a small group of scientists and soldiers have taken refuge in an underground missile silo where they struggle to control the flesh-eating horror that walks the earth above. But will the final battle for the future of the human race be fought among the living or have they forever unleashed the hunger of the dead? Lori Cardille, Joe Pilato and Richard Liberty star in this controversial classic with groundbreaking gore effects by Tom Savini.

Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is one of the great stories of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero’s claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, Night of the Living Dead is back.

A Bold new re-imagining of the George A. Romero classic. A small group of military personnel and survivalists dwells in an underground bunker as they seek to find a cure in a world overrun by zombies.

George Romero's name may be synonymous with the living dead sub-genre, but his filmography is far richer and more varied than his reputation as "the zombie guy" would suggest. Following the breakout success of his debut feature Night of the Living Dead, the director would embark upon a series of projects which demonstrate a master filmmaker with more than mere gut-munching on his mind.



In There's Always Vanilla, young drifter Chris and beautiful model Lynn embark upon a tumultuous relationship which seems doomed from the outset. This version of the film comes from a brand new 2K restoration from the original film elements.



This film, along with The Crazies and Season of the Witch, made in the period between Romero's celebrated living dead outings, Night of the Living Dead and Dawn of the Dead, serve to shine a light on the broader thematic concerns and auteurist leanings of a skilled craftsman too often pigeonholed within the genre.

George Romero's name may be synonymous with the living dead sub-genre, but his filmography is far richer and more varied than his reputation as "the zombie guy" would suggest. Following the breakout success of his debut feature Night of the Living Dead, the director would embark upon a series of projects which demonstrate a master filmmaker with more than mere gut-munching on his mind.



Season of the Witch (released theatrically as Hungry Wives) follows the exploits of Joan Mitchell - a housewife who seeks to escape the confines of her humdrum suburban existence through a flirtation with witchcraft.



This film, along with The Crazies and There's Always Vanilla, made in the period between Romero's celebrated living dead outings, Night of the Living Dead and Dawn of the Dead, serve to shine a light on the broader thematic concerns and auteurist leanings of a skilled craftsman too often pigeonholed within the genre.

George Romero's name may be synonymous with the living dead sub-genre, but his filmography is far richer and more varied than his reputation as "the zombie guy" would suggest. Following the breakout success of his debut feature Night of the Living Dead, the director would embark upon a series of projects which demonstrate a master filmmaker with more than mere gut-munching on his mind.



The Crazies sees Romero returning to firmer horror territory as a small rural town finds itself in the grip of an infection which send its hosts into a violent, homicidal frenzy. This version of the film comes from a brand new 4K restoration of the original theatrical version from the camera negative.



This film, along with Season of the Witch and There's Always Vanilla, made in the period between Romero's celebrated living dead outings, Night of the Living Dead and Dawn of the Dead, serve to shine a light on the broader thematic concerns and auteurist leanings of a skilled craftsman too often pigeonholed within the genre.

In a terrifying tale of the "American Dream" gone horribly wrong, residents of a picture-perfect Midwestern town begin to succumb to an uncontrollable urge for violence when a mysterious toxin in the water supply turns everyone exposed to it into mindless killers. Sheriff David Dutton (Timothy Olyphant); his pregnant wife, Judy (Radha Mitchell); Becca (Danielle Panabaker), an assistant at the medical center; and Russell (Joe Anderson), Dutton’s deputy and right-hand man, find themselves trapped in a once idyllic town they can no longer recognize. Unable to trust former neighbors and friends, deserted by the authorities and terrified of contracting the illness themselves, they are forced to band together in a nightmarish struggle for survival in this reinvention of the George Romero classic.

From masters of horror Stephen King (The Shining) and George A. Romero (Night of the Living Dead) and starring Oscar winner Timothy Hutton, The Dark Half will keep you captivated to the chilling end. Horror writer Thad Beaumont (Hutton) hopes to distance himself from his murder novels and from George Stark, the name he has used to anonymously author them. To achieve this, he cooks up a murder of his own: a publicity stunt that should lay Stark to rest forever. But when the people around him are found gruesomely slain and his own fingerprints dot the crime scenes Beaumont is dumbfounded until he learns that Stark has taken on a life of his own and begun a gruesome quest for vengeance!

Horror and sci-fi veteran Lance Henriksen (Alien) narrates this fascinating look at the history of the American horror film. Includes interviews with genre masters Roger Corman, John Carpenter and George A. Romero.

In 1968 a young college drop-out named George A. Romero directed “Night of the Living Dead,” a low budget horror film that shocked the world, became an icon of the counterculture, and spawned a zombie industry worth billions of dollars that continues to this day. “Birth of the Living Dead,” a new documentary, shows how Romero gathered an unlikely team of Pittsburghers -- policemen, iron workers, teachers, ad-men, housewives and a roller-rink owner -- to shoot, with a revolutionary guerrilla, run-and-gun style, his seminal film. Archival footage of the horrors of Vietnam and racial violence at home combined with iconic music from the 60s invites viewers to experience how Romero’s tumultuous film reflected this period in American history. “Birth of the Living Dead” shows us how this young filmmaker created a world-renowned horror film that was also a profound insight into how our society really works.

George A. Romero's original 1968 cult classic, now in color & restored, is one of the scariest movies of all time. The dead are walking and hunger for human flesh. A group of panicked survivors are barricaded in a deserted farmhouse while the army of flesh eating zombies hovers outside their door.

The rotting Creep himself is back with three new gruesome tales of horror that will make your skin crawl: a cigar store wooden Indian comes to life to avenge the store owner's brutal murder at the hands of three punks in “Ol’ Chief Woodenhead." Then four teenagers become the target of a terrifying, man-eating oil slick in "The Raft." The chills continue with "The Hitchhiker," the chilling tale of a woman who keeps running into, and over, the same mutilated man on a lonely road. Prepare for a terrifying roller coaster ride from the masters of horror!

A spine-tingling psychological thriller dealing with the idea that an animal's intelligence can be heightened when it is injected with human brain tissue. Instead of the animal becoming less savage, it is soon over reacting to every stimuli and goes on a wild killing spree.

The newest film from George A. Romero (legendary creator of the Night of the Living Dead franchise) picks up where Diary of the Dead leaves off - in a nightmarish world where humans are the minority and the zombies rule. Off the coast of Delaware sits Plum Island, where two families are locked in a struggle for power. The O'Flynns approach the zombie plague with a shoot-to-kill attitude. The Muldoons feel that zombies should be quarantined and kept "alive" in hopes that a solution will someday be found.

It's a new night for terror - and a new dawn in horror movie-making when special-effects genius Tom Savini (creator of the spectacularly gruesome make-up in Friday the 13th and Creepshow) brings modern technology to this colorful remake of George A. Romero's 1968 cult classic. Seven strangers are trapped in an isolated farmhouse while cannibalistic zombies - awakened from death by the return of a radioactive space probe - wage a relentless attack, killing (and eating) everyone in their path. The classic for the 90s: graphic, gruesome and more terrifying than ever!

Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style of classic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything ... grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their necks in terror. A malevolent millionaire with an insect phobia becomes the prey of a cockroach army. Add the spirited performances of a fine cast (Hal Holbrook, Adrienne Barbeau, Leslie Nielsen, Ted Danson, E.G. Marshall and King himself) and the ghoulish makeup wizardry of Tom Savini. Let the Creepshow begin.