After being kicked out of her home by her fiancé, Sara steals a car and takes off. Alone and empty-handed she tries to reconcile with her mother but has no luck, so she decides to drive further east on the desert roads, looking for a place to call home. As Sara drives, she becomes increasingly fascinated with the car's owner, until one day she decides to find him.

In ANSELM, Wim Wenders creates a portrait of Anselm Kiefer, one of the most innovative and important painters and sculptors of our time. Shot in 3D and 6K-resolution, the film presents a cinematic experience of the artist’s work which explores human existence and the cyclical nature of history, inspired by literature, poetry, philosophy, science, mythology and religion. For over two years, Wenders traced Kiefer’s path from his native Germany to his current home in France, connecting the stages of his life to the essential places of his career that spans more than five decades.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

Conceived as the ultimate road movie, this decades-in-the-making science-fiction epic from Wim Wenders follows the restless Claire Tourneur (Solveig Dommartin) across continents as she pursues a mysterious stranger (William Hurt) in possession of a device that can make the blind see and bring dream images to waking life. With an eclectic soundtrack that gathers a host of the director’s favorite musicians, along with gorgeous cinematography by Robby Müller, this breathless adventure in the shadow of Armageddon takes its heroes to the ends of the earth and into the oneiric depths of their own souls. Presented here in its triumphant 287-minute director’s cut, UNTIL THE END OF THE WORLD assumes its rightful place as Wenders’ magnum opus, a cosmic ode to the pleasures and perils of the image and a prescient meditation on cinema’s digital future.

For the first time, Werner Herzog, gives us a glimpse into his life. With exclusive behind-the-scenes footage, rare archive and in-depth interviews - Werner Herzog: Radical Dreamer presents a comprehensive portrait of an iconic artist.

Why preserve film in a world where audiovisual materials seem so readily available online? That is the key question posed in 'Film: The Living Record of Our Memory', which features interviews with film archivists, curators, technicians, and filmmakers including Costa-Gavras, Jonas Mekas, Patricio Guzmán, Ken Loach, Bill Morrison, Fernando Trueba, Wim Wenders, and appearances by Martin Scorsese, Barbara Rubin, Idrissa Ouédraogo, Ridley Scott, and Ousmane Sembene. Together, they explore what film preservation is and why it is still so important to preserve celluloid, even in an increasingly digital world. Thanks to the tireless work of these film professionals, many of whom work unrecognized behind the scenes, we are still able to watch films that are more than 125 years old. This film pays tribute to their conviction that film holds our collective memory, and that access to film as it was meant to be seen may one day change a life. 'Film: The Living Record of Our Memory' highlights the unique challenges of maintaining film, the cultural and political barriers to preservation, and the surprising risks of digital preservation. This work is critical because, as the film explains, so much of this heritage has already been lost forever.

Tragi-comic, romantic whodunity set in a run down hotel which plays host to mentally ill people too poor to afford medical insurance.

Method actor, filmmaker, art collector, and all-American anarchist—the many sides of the legendary Hollywood maverick Dennis Hopper are explored in Nick Ebeling’s documentary. Drawing heavily from the testimony of Hopper’s right-hand man Satya De La Manitou, it features previously unseen photos and footage that span the triumph of Easy Rider, the magnificent career suicide of The Last Movie, and a midlife comeback after an overwhelming amount of booze and brawling.

DoP Robby Müller has inspired generations with his ground-breaking camerawork. Director Claire Pijman had access to his personal archive to create an extraordinary film essay that intertwines archival material with excerpts of his oeuvre.

Fariborz Kamkari’s documentary about the life and career of Carlo Di Palma is as much a portrait of the late cinematographer—known for his inventive work with such directors as Woody Allen, Michelangelo Antonioni and Elio Petri—as it is a journey through the last 70 years of world cinema. From Di Palma’s early credits under Luchino Visconti, Vittorio De Sica, and Roberto Rossellini, to his trailblazing work on Red Desert and Blow-Up, to his 11-year collaboration with Woody Allen, Water and Sugar amounts to an illuminating celebration of a great artist. Featuring reflections and commentary by iconic filmmakers including Woody Allen, Bernardo Bertolucci, Ken Loach, Volker Schlöndorff, Wim Wenders, and more.

James (James McAvoy) is a British agent working undercover, and Danny (Alicia Vikander) is a bio-mathematician working on a deep-sea diving project. While preparing for their respective missions, a deliriously wild love affair develops. They rapidly and unexpectedly fall into each other's arms, even though their jobs are destined to separate them. Danny sets off on a perilous quest to dive to the bottom of the ocean; James’s assignment takes him to Somalia, where he is sucked into a geopolitical vortex putting him in grave danger. During their missions, they suffer different kinds of isolation as they pine for one another, hoping to reconnect amidst their dangerous journeys.

Set in a timeless fairytale of magical realism, Waiting for the Miracle to Come tells the story of a young trapeze artist played by Sophie Lowe who is guided by the spirit of her father to find a place in the desert. A mysterious oasis called The Beautiful Place. There she finds two retired Vaudeville Stars played by Charlotte Rampling and Willie Nelson. The young girl will be taken on a dream like journey teaching her that love and sacrifice is all that binds us and that death is sometimes not the end of life, but just the beginning.

Pope Francis - A Man of His Word is a rare co-production with the Vatican. Pope Francis' ideas and his message are central to this documentary, which sets out to present his work of reform and his answers to today’s global questions from death, social justice, immigration, ecology, wealth inequality, materialism, and the role of the family.

Traveling from the streets of Havana to the stage of Carnegie Hall, this revelatory documentary captures a forgotten generation of Cuba’s brightest musical talents as they enjoy an unexpected brush with world fame. The veteran vocalists and instrumentalists collaborated with American guitarist and roots-music champion Ry Cooder to form the Buena Vista Social Club, playing a jazz-inflected mix of cha-cha, mambo, bolero, and other traditional Latin American styles, and recording an album that won a Grammy and made them an international phenomenon. In the wake of this success, director Wim Wenders filmed the ensemble’s members—including golden-voiced Ibrahim Ferrer and piano virtuoso Rubén González—in a series of illuminating interviews and live performances. The result is one of the most beloved music documentaries of the 1990s, and an infectious ode to a neglected corner of Cuba’s prerevolutionary heritage.

Wim Wenders updates a late-eighteenth-century novel by Goethe with depth and style, transposing it to 1970s West Germany and giving us the story of an aimless writer (Rüdiger Vogler) who leaves his hometown to find himself and befriends a group of other travelers. Seeking inspiration to help him escape his creative funk, he instead discovers the limits of attempts to refashion one’s identity. One of the director’s least seen but earthiest and most devastating soul searches, Wrong Move features standout supporting performances from New German Cinema regulars Hanna Schygulla and Peter Kern and, in her first film appearance, Nastassja Kinski.

A roving film projector repairman (Rüdiger Vogler) saves the life of a depressed psychologist (Hanns Zischler) who has driven his Volkswagen into a river, and they end up on the road together, traveling from one rural German movie theater to another. Along the way, the two men, each running from his past, bond over their shared loneliness. Kings of the Road, captured in gorgeous compositions by cinematographer Robby Müller and dedicated to Fritz Lang, is a love letter to the cinema, a moving and funny tale of male friendship, and a portrait of a country still haunted by war.

The first of the road films that would come to define the career of Wim Wenders, the magnificent Alice in the Cities is an emotionally generous and luminously shot journey. A German journalist (Rüdiger Vogler) is driving across the United States to research an article; it’s a disappointing trip, in which he is unable to truly connect with what he sees. Things change, however, when he is forced to take a young girl named Alice (Yella Rottländer) with him on his return trip to Germany, after her mother (Lisa Kreuzer)—whom he has just met—leaves the child in his care. Though they initially find themselves at odds, the pair begin to form an unlikely friendship.

Wim Wenders pays loving homage to rough-and-tumble Hollywood film noir with The American Friend, a loose adaptation of Patricia Highsmith’s novel Ripley’s Game. Dennis Hopper oozes quirky menace as an amoral American art dealer who entangles a terminally ill German everyman, played by Bruno Ganz, in a seedy criminal underworld as revenge for a personal slight—but when the two become embroiled in an ever-deepening murder plot, they form an unlikely bond. Filmed on location in Hamburg and Paris, with some scenes shot in grimy, late-seventies New York City, Wenders’s international breakout is a stripped-down crime story that mixes West German and American film flavors, and it features cameos by filmmakers Jean Eustache, Samuel Fuller, and Nicholas Ray.

This searing drama charts the emotional odyssey of a struggling novelist (James Franco) whose life is turned upside down one wintry night when following a fatal car accident. The incident sets him on a soul-searching, decades-long journey towards redemption, a quest that profoundly touches the lives of both his girlfriend (Rachel McAdams) and the accident victim's mother (Charlotte Gainsbourg).

For the last 40 years, the photographer Sebastião Salgado has been traveling through the continents, in the footsteps of an ever-changing humanity. He has witnessed some of the major events of our recent history; international conflicts, starvation and exodus. He is now embarking on the discovery of pristine territories, of wild fauna and flora, and of grandiose landscapes as part of a huge photographic project which is a tribute to the planet's beauty.

In May 2011, family and friends gathered together to pay tribute to the late, great singer, songwriter Kate McGarrigle. The concert was filmed at the Town Hall Theater in New York City by Lian Lunson. This documentary is part concert, and partly an intimate look at a family coming to terms with the loss of a loved one. Kate McGarrigle was a prolific songwriter who's untimely death shattered not only her family and friends but legions of fans worldwide. Rufus Wainwright first approached Lian Lunson, who the family had first worked with in the Feature Documentary 'Leonard Cohen: I'm Your Man.' Ironically, it was on that trip to Sydney to take part in that concert and film, that Kate first realized that something was wrong with her health. This film is primarily a concert showcasing the breadth and incredible talent of Kate McGarrigle and her sister Anna. It is hard to celebrate the work of such a talent and be that close as her family was and is to her. The concert and film were put together with enormous love; with every song being a reminder of the devastating loss of beautiful Kate McGarrigle. Sing Me the Songs That Say I Love You had its world premiere at Robert Redford's inaugural Sundance London Film Festival in April 2012.

Chapters 13-15: New Boundaries: World Cinema in Africa, Asia, Latin America, New American Independents & The Digital Revolution, and Cinema Today and the Future. World cinema in the 90s enters a golden age. The story starts in Iran, where we meet Abbas Kiarostami, who rethought movie making. Then the English-speaking world introduces us to new kinds of brilliant, playful movies, epitomized by Tarantino’s dialogue and the edge of the Coen brothers. Finally, we plunge into the digital world to see how it changed the movies forever and go beyond the present, to look at film in the future.

Chapters 10-12: Movies To Change The World, The Arrival of Multiplexes and the Asian Mainstream, and Protest in Film. This is the story of the movies that tried to change the world in the 70s. We start in Germany, head to Britain, travel to Italy, see the birth of new Australian cinema, and then arrive in Japan. We see how Star Wars, Jaws and The Exorcist created the multiplexes and then travel to India to show how Bollywood was doing new things. Then American director John Sayles talks about how filmmakers spoke truth to power in the 1980s.

Chapters 7-9: European New Wave, New Directors, New Forms, and American Cinema of the '70s. We discover how French filmmakers planted a bomb under the movies and see how this "new wave" swept across Europe and all around the world. We discover the films of Roman Polanski, Andrei Tarkovsky, and Nagisa Oshima. Paul Schrader reveals his thoughts on his existential screenplay for Taxi Driver, Robert Towne explores the dark ideas in Chinatown, and Charles Burnett talks about the birth of Black American cinema.

Chapters 4-6: The Arrival Of Sound, Post-War Cinema, and Sex & Melodrama. With the advent of sound in the 1930s we witness the birth of new types of film: screwball comedies, gangster pictures, horror films, westerns and musicals. The onset of WWII makes cinema more daring and the story shifts from Italy back to Hollywood, to chart the darkening of American film and the drama of the McCarthy era. Sex and melodrama infuses the American movies of the 50s, and we travel to Egypt, India, China, Mexico, Britain and Japan to find that movies there were also full of rage and passion.

Chapters 1-3: Birth Of The Cinema, The Hollywood Dream, and The Golden Age of World Cinema.



The opening of THE STORY OF FILM: AN ODYSSEY shows the birth of a great new art form: the movies. We see how Hollywood became a glittering entertainment industry and how star directors like Charlie Chaplin and Buster Keaton emerged in the roaring twenties. Then we visit Paris, Berlin, Moscow, Shanghai and Tokyo to discover the places where movie makers were pushing the boundaries of the medium.

Wings of Desire is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel, an angel perched atop buildings high over Berlin who can hear the thoughts—fears, hopes, dreams—of all the people living below. But when he falls in love with a beautiful trapeze artist, he is willing to give up his immortality and come back to earth to be with her. Made not long before the fall of the Berlin wall, this stunning tapestry of sounds and images, shot in black and white and color by the legendary Henri Alekan, is movie poetry. And it forever made the name Wim Wenders synonymous with film art.

“Dance, dance, or we are lost.” Pina Bausch’s final words summarize her life and provide the inspiration for acclaimed director Wim Wenders’ (WINGS OF DESIRE, BUENA VISTA SOCIAL CLUB) breathtaking tribute to the legendary choreographer. Bausch and her Tanztheater Wuppertal elevated dance into brilliantly subversive new expressive realms, and in this exhilarating film Wenders captures the raw, heart-stopping intensity of the movement. An official selection of the Berlinale, Telluride, Toronto and New York film festivals, and nominated in 2012 for the Oscar for Best Foreign Language Film, PINA features interviews with and performances by Bausch's beloved original company members, and offers an indelible image of an artist who went the full distance in her uncommonly rich creative life.

New German Cinema pioneer Wim Wenders (Wings of Desire) brings his keen eye for landscape to the American Southwest in Paris, Texas,a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard. Paris, Texas follows the mysterious, nearly mute drifter Travis (a magnificent Harry Dean Stanton, whose face is a landscape all its own) as he tries to reconnect with his young son, living with his brother (Dean Stockwell) in Los Angeles, and his missing wife (Nastassja Kinski). From this simple setup, Wenders and Shepard produce a powerful statement on codes of masculinity and the myth of the American family, as well as an exquisite visual exploration of a vast, crumbling world of canyons and neon.

Detective Dashiell Hammett thought that he had left his old life behind when he retired to become a writer. But when his ex-boss brings him on for one last case, Dashiell becomes the target of a deadly crime ring that involves the police. Academy Award® nominee Frederic Forrest, Marilu Henner (TV's "Taxi") and Peter Boyle (TV's "Everybody Loves Raymond") star in this suspense thriller that takes you from the back alleys of Chinatown to the bedrooms of the San Francisco elite.

Bill Pullman plays Mike Max, a Hollywood producer who struck it rich and gained power in the film industry through his successful series of brutally violent action movies. However, the dedication and balance that Max shows in the office does not translate to his home life, where he can barely find time for his wife Paige (Andie MacDowell). Paige announces that she wants a divorce and Max admits to himself that she suffered emotional hardship at his hands. Seeking meaning in her life, Paige travels to the Third World as a volunteer. An emotionally disconnected Max does not realize the amount of physical and emotional violence in his life until he is facing it directly and he makes it his mission to not only change his life, but to change the way that the business that has made him his fortune addresses brutality.

Oscar Nominee Sam Shepard (Best Supporting Actor, The Right Stuff 1983) and Academy Award nominated director Wim Wenders (Best Documentary Feature, Buena Vista Social Club 1999) reunite for their first collaboration since the critically acclaimed Paris, Texas in this delightful tale about second chances. Howard Spence was once one of Hollywood's hottest movie stars. Now he's a washed up actor barely making it through the day. So on the set of his latest western film he decides to flee and visit his mother (Oscar winner Eva Marie Saint, Best Supporting Actress, On The Waterfront 1954) for the first time in 30 years. To his surprise he discovers that he might have a grown up child (Gabriel Mann, The Bourne Supremacy) living in a small town in Montana, where he once had a fling with a local waitress (2-Time Oscar winner Jessica Lange, Best Supporting Actress, Tootsie 1982 & Best Actress, Blue Sky 1994). Things get even more complicated when the film company sends an insurance agent (Academy Award Nominee Tim Roth, Best Supporting Actor, Rob Roy 1995) to retrieve him and another woman (Sarah Polley, Dawn of the Dead) appears in town with more than a sincere interest in Howard.