Quirky, deadpan humour, an absurdist eye for French social etiquette and a keen sense of the folly of existence are among the hallmarks of the oddball comedies of director Quentin Dupieux (Rubber, Deerskin, Smoking Causes Coughing), and Incredible But True is no different. Alain (Alain Chabat, Valerian and the City of a Thousand Planets) and Marie (Léa Drucker, War of the Worlds) are a middle-aged bourgeois couple who move to their new house in a quiet suburb. A key feature of their new abode that the estate agent points out to them is a mysterious tunnel in the basement. Little do they realise that it will turn their lives upside down. Shot during the pandemic under quarantine conditions, Incredible But True is an inventive and nimble tale that perfectly showcases the singular and eccentric vision that has made Dupieux the most exciting director working in France today.

Upon finding a dead body at the door of his apartment building, Fugain reports it to the police. Little does he know that he’ll soon end up spending the entire night at the police station, being subjected to the increasingly rough and strange interrogation of the police chief. A loving tribute to detective films and the ordinary man.

In this black comedy of middle-aged masculinity gone awry, Academy Award winner Jean Dujardin (The Artist) is a recent divorcee who becomes obsessed with a vintage fringed deerskin jacket that begins to exert an uncanny hold on him. Set in a sleepy French alpine village, he falls into the guise of an independent filmmaker and befriends a trusting bartender and aspiring editor (Adèle Haenel, Portrait of a Lady on Fire) who becomes his collaborator on a movie that will document a surprising new goal he sets himself.