A comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. A dramatic life that saw him battle with dependency, paralysis, and mental illness that resulted in his eventual suicide.

"The smell of money”—that’s what Big Pork calls the stench of pig waste in the air in eastern North Carolina, where much of the world’s bacon and barbecue is made. But to Elsie Herring and others who live near the state’s giant pig factories, the revolting odor is a call to battle against generations of injustice. When a corporate hog farm moves in–uninvited–on land her grandfather had purchased after claiming his freedom from slavery, Elsie Herring decides to fight back. But as her rural community becomes the epicenter of the pork industry’s explosion in America, Elsie’s struggle to save her family’s home and heritage turns into a battle against one of the world’s most powerful companies and its deadly pollution. After decades of intimidation and defeat, Elsie and her community team up with a gutsy small-town lawyer to take the world’s largest pork company to court. An epic, nine-year legal battle ensues, and the residents risk everything to reclaim their rights to clean air, pure water, and a life free from the stench of shit. A story about the power of love for one’s family and community to triumph over even the largest forces of injustice, The Smell of Money calls upon viewers to see the people behind what's on our plates––and to join the fight for a better future for us all.

The themes, images, and cultural vernacular of Victor Fleming’s THE WIZARD OF OZ continue to haunt David Lynch’s art and filmography—from his very first short, THE ALPHABET, to his latest series, TWIN PEAKS: THE RETURN. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work. Is David Lynch trapped in the land of Oz? If so, can we derive a new appreciation for Lynch’s body of work from taking a closer look at how it intersects and communicates with THE WIZARD OF OZ? In turn, do MULHOLLAND DRIVE, LOST HIGHWAY, or THE ELEPHANT MAN have something to say about the enduring resonance of one of America’s most beloved classic movies? Through six distinct perspectives and narrated by some of contemporary cinema’s most exciting voices, LYNCH/OZ will take us down the proverbial rabbit hole, help us re-experience and re-interpret THE WIZARD OF OZ by way of David Lynch, to deliver a whole new appreciation for Lynch’s symbolism through the lens of his greatest influence.

A love letter to cinema, shot across the US, Iran, Chile, China and Thailand, by seven of today's most vital filmmakers. New life in the old house. A breakaway, a reunion. Surveillance and reconciliation. An unrecognizable world, in the year of the everlasting storm.

In this perfectly crafted American drama, openly gay Ernesto (Marcus DeAnda) and closeted Gabe (Bill Heck) grapple with the sad tribulations of being gay in a small, working-class Texas town. This Sundance smash is a truly uplifting love story about male intimacy, the heartache of unsuccessful relationships and the transformative power of love.



“I need to get on with my life,” Ernesto pronounces as he kicks out live-in ex-boyfriend Luis. Macho yet sensitive, Ernesto still carries a hopeless torch for his other ex-lover, Martin. Meanwhile, down-to-earth building contractor Gabe seeks solace with his ex-wife and six year-old daughter while pining over the loss of his relationship with Chuck. Trying to find connection amidst formidable loneliness — this is the story of Ernesto and Gabe.



Reminiscent of such classic rural gay love stories as Big Eden and Brokeback Mountain — and showcasing equally accomplished performances from its handsome leads — Pit Stop achieves an understated tone of authenticity rarely seen on screen as it shows us a tender, beautiful slice of gay American life.

For years, old Mr. Meacham has delighted local children with tales of the fierce dragon that resides deep in the Pacific Northwest woods. To his daughter Grace, a forest ranger, the stories are little more than tall tales…until she meets Pete, a mysterious 10-year-old with no family or home, who claims to live in the woods with a giant green dragon named Elliot. With the help of 11-year-old Natalie, whose father owns the local lumber mill, Grace sets out to learn where Pete came from, where he belongs, and the truth about this dragon.

Brought to life with exquisite detail and rich cinematography by Bradford Young (winner of the US Dramatic Cinematography Award at Sundance), the gritty landscape of 1970s Texas Hill Country is the backdrop for this mood-drenched collision of love and crime. After his pregnant wife (Rooney Mara) makes one false move during a bloody shootout, a bank robber (Casey Affleck) faces a 25-year sentence that destroys his dreams of a family life. Shot through with the yearning and melancholy of a folk ballad, David Lowery’s directorial breakthrough—one of the most acclaimed films at Sundance and a special Critics’ Week selection at Cannes—extends the Bonnie and Clyde tradition with its breathtaking meditation on the fragility and transience of love.