Doom and Salvation: Process in the Age of AI | Ilya Gefter

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Today’s conversation has been eye opening for me, and one of the best I had in a long time. I hope you’ll find it as fruitful as I did. Today we discuss the future of painting, and specifically the chances of the field’s survival in light of the upcoming AI apocalypse. We managed to sketch out a few early signs for hope. Can painting continue guarding the fortress against the robot barbarians at the gate? Stay tuned… We are very fortunate to have the great Ilya Gefter back on the podcast. Ilya Gefter is a painter, art educator and the founder and director of the Visual Art Center in Tel-Aviv, Israel. Ilya has shown in 14 solo exhibitions before he was 40, he’s won numerous prestigious awards, and his work can be found in notable public collections in the US, Canada, Spain, and Israel. He has written for Ha’artez newspaper, and has done curatorial work for Rothschild Gallery in Tel Aviv. Ilya is an exceptional artist and thinker and a tremendous inspiration to me, so I’m very excited to bring his voice and his ideas to all of you.Support ART'S COOL with Ken GoshenFor more from Ilya Gefter:Ilya's websiteIlya's YouTubeIlya's InstagramFor more from Ken Goshen:Ken's websiteKen's InstagramKen's lessonsKen's PatreonKen's YouTubeMusic by Adaam JamesSupport the showSupport the show

Doom and Salvation: Process in the Age of AI | Ilya Gefter

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ART'S COOL with Ken Goshen
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